The fall theater season is around the corner. When the curtain opens, “Butterfly: Denise Williams a Life in Song,” plays for one night at Chicago’s Black Ensemble Theater on August 23. In Washington, DC, Mosaic Theater Company celebrates its 10th anniversary with several plays including “Lady Day at Emerson’s Bar and Grill” September 5-October 6.
In Nairobi, “The Waiting Room,” is on the Kenya National Theater stage September 7 and September 8. Also on September 8, Washington, DC’s Woolly Mammoth opens “The Comeuppance,” set in Prince George’s County, MD. It runs until October 6. The play centers on the night of a 20th high school reunion of the self-proclaimed “Multi-Ethnic Reject Group.” I am wondering how comeuppance (a deserved rebuke or penalty) became the title.
“Comedy of Errors,” by William Shakespeare plays September 10-October 6 at Washington’s Shakespeare Theater Company at the Klein Theatre. You got to hand it to Shakespeare, he has been dead since 1616 and his works are still on stage.
In Houston, The Ensemble Theaters starts their season September 20 with “Stew,” until October 13. The story centers on three generations of African American women as they tangle with each other while attempting to meet a deadline for the eponymous one pot meal.
Langston Hughes “Black Naivety” plays at Baltimore Center Stage November 30-December 22.
From November-December, Woolly presents The Second City’s “Dance Like There’s Black People Watching.” DC’s Woolly Mammoth Theater promises this to be a hilarious brand-new show, created exclusively for the innovative theater and featuring the troupe’s world-renowned improv, an ensemble of rising comedy stars, songs, and sketches.